第三章 开篇:元明时期戏曲服饰
课程:戏剧之美(ENGL026)主讲:张慧琴教授词汇 14 条句型 2 条要点 0 条
二、核心词汇(14)
| 词条 | 释义 / 讲解 |
|---|
| zaju | 杂剧。宋元时期的一种戏曲形式。保留拼音 zaju 作为专有名词,无需翻译。 |
| repertoire | 剧目、全部作品。原指演员能演出的整套剧目,此处引申为“一批衣物/库存”。 |
| make great strides | 取得巨大进步/飞跃。strides 意为大步走,比喻发展迅速或成就显著。 |
| systematized | 系统化。动词 systematize 的过去分词,指将原本零散的事物整理成有序的体系。 |
| ceremonial ensembles | 礼仪乐队/仪仗队。ensemble指(戏剧、音乐等的)全体演员或乐队。 |
| futou | 幞头。元代官员戴的软脚或展角头巾,此处音译并保留文化专有名词。 |
| beam crown | 梁冠。古代官员礼服冠,梁数代表品级高低,如“五梁冠”。 |
| crane cloak | 鹤氅。道教或高士所穿的宽大外衣,象征清高或仙气。 |
| jade pendants | 玉佩。古代贵族服饰配件,行走时发出声响以节制步伐。 |
| codification | 法典化/规制化。指将习俗或标准整理成系统、明确的规则体系。 |
| differentiation | 区分/差别。指通过服饰等外在形式来区分社会身份或属性。 |
| heart protecting armor | 掩心甲。古代铠甲的一种,主要保护胸部心脏部位。 |
| theatrical costume | 戏剧服饰。theatrical 指“戏剧的”,costume 在此特指表演用的服装,而非日常着装。 |
| identity | 身份、认同。此处指服饰作为视觉符号,能够直接标示人物的社会地位或角色属性。 |
三、句型与语法点(2)
| 要点 | 说明 |
|---|
| Parallel Structure | If A gave..., B gave... 平行结构。强调宋元两代对戏剧发展的不同贡献:宋代确立角色,元明确立规则。 |
| Participle Phrase | refined to meet... 过去分词作状语。表示服饰经过不断打磨(refined),目的是满足舞台需求。 |
四、课堂讨论题
1. 宋杂剧给了戏曲角色,那元明时期给了戏曲什么?
2. 洪洞广胜寺的水神庙壁画,对研究元代戏曲有什么特殊价值?
3. 元代宫廷乐舞中,不同角色的冠帽颜色具体代表什么含义?
4. 明代戏曲服饰相比元代,在区分角色方面有什么关键突破?
5. 如果要把元明服饰规则应用到现代古装剧,最难的一点是什么?
五、Discussion Questions (English)
1. Song dynasty zaju gave us specific character types. What did Yuan and Ming dynasties contribute to opera?
2. What makes the murals at Shui Shen Miao in Guangsheng Temple so important for studying Yuan dynasty opera?
3. In Yuan dynasty court music and dance, what did the specific colors of the hats represent for different roles?
4. How did Ming dynasty opera costumes improve role differentiation compared to Yuan dynasty costumes?
5. If we wanted to apply Yuan and Ming costume rules to modern historical dramas, what would be the hardest part?
六、听力 / 讲稿全文
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3.2 The Yuan Court Music and Dance System
3.2 元代宫廷乐舞体系服饰
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The Yuan court maintained grand ceremonial ensembles,
元代宫廷设有大型礼仪乐队,
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each with its own costume logic.
每队都有自己的服饰逻辑
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The "King of Music Ensemble" dressed its
“乐音王队”:
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officials in spread corner futou
礼官戴展角幞头、
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and purple robes,
穿紫袍,
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marking official status;
标识官方身份;
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its musicians in flowered futou
乐工戴花幞头、
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and narrow purple garments,
穿紫窄衣,
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expressing their profession;
体现职业属性;
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its women in Tang style caps
妇女戴唐帽、
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and yellow robes,
穿黄袍,
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inheriting Tang fashion;
承袭唐代风格;
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and its male figures in red hair binding,
男性角色红束发、
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blue masks, and multicolored robes,
戴青面具、着杂彩衣,
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shaping distinctive stage images.
塑造独特形象
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Special elements the five beam crown,
特色元素——五梁冠、
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the Dragon King mask,
龙王面具、
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and embroidered cloaks intensified the
龙王面具、
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atmosphere of myth and authority.
绣氅——强化了神话色彩与权威感
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The "Longevity Star Ensemble" went further:
“寿星队”更进一步:
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women wore the flat heavenly crown
妇女或平天冠配鹤氅与方心曲领,
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with crane cloak and curved collar,
或凤翘冠配宽袖衣、
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or the phoenix crown with wide
或凤翘冠配宽袖衣、
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sleeved gown, cloud shoulder collar,
云肩、
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and jade pendants a spectrum
云肩、
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from classical restraint to splendor;
霞帔玉佩——从古典到华丽的完整光谱;
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men wore gold lacquered cap
霞帔玉佩——从古典到华丽的完整光谱;
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with crimson robe,
男性金漆弁冠配绯袍,
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or cloud scroll crown
男性金漆弁冠配绯袍,
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with blue mask combining power and mystery.
或卷云冠配青面具——权力与神秘兼具。
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The "Ritual Music Ensemble" completed the picture:
“礼乐队”补全了图景:妇女黑漆弁冠、
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women in black cap, plain blue robe,
青素袍、
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white skirt, and belt for solemn purity,
白裙、束带,庄重纯洁;
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or nine dragon crown
或九龙冠配绣红袍,
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with embroidered red robe
彰显尊贵;
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for exalted rank;
彰显尊贵;
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men in cloud scroll crown and yellow robe
男性卷云冠配黄袍,
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for gentleness and wisdom,
温和智慧;
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or three dragon crown and red robe
三龙冠配红袍,
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for power and courage;
权力勇气;
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and the children in plain white,
童子素衣,
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carrying the theme of innocence.
承载纯真主题
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Every color, every crown,
每一种颜色、每一顶冠,
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is a word in a sentence about status and meaning.
都是一句关于身份与意义的句子里的一个词
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3.3 to 3.4 The Regulation of Costume
3.3 / 3.4 规制化标准与明代完备发展
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The Regulation of Costume
3.3 / 3.4 规制化标准与明代完备发展
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and the Ming System
3.3 / 3.4 规制化标准与明代完备发展
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Now the decisive turn:
接下来是决定性的转折:
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the codification of costume.
服饰的规制化
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Our scholarly basis is the literary
服饰的规制化
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historian Feng Yuanjun and her "Notes
服饰的规制化
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on the Unique Copies
学术依据是中国文学史专家冯沅君的
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of YuanMing zaju Manuscripts."
《孤本元明杂剧钞本题记》
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She identified six core principles
她提炼出服饰区分的六项核心原则——
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of costume differentiation six "distinctions":
“六别”:番汉有别、
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Chinese and foreign, civil and military,
文武有别、贵贱有别、
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noble and humble, rich
贫富有别、老少有别、
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and poor, old and young, good and evil.
善恶有别
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Their core value is to reveal the social
其核心价值在于揭示戏曲服装的
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attributes and role positioning
社会属性与角色定位,
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of theatrical costume,
社会属性与角色定位,
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reflecting its tendency toward codification.
反映规制化倾向。实践发现:
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In practice, Yuan and Ming northern zaju costume
元明北杂剧服饰角色区分明确,
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distinguishes its characters clearly,
元明北杂剧服饰角色区分明确,
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expressing differences of social rank,
体现社会等级、
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professional identity, and
职业身份、
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moral quality.
道德品质的差异
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On this foundation,
在此之上,
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the Ming brought theatrical costume
明代把戏曲服饰推向完备发展
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to complete development.
明代把戏曲服饰推向完备发展
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Its craftsmanship grew ever
工艺特征:制作工艺日益精湛,
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more refined cutting, sewing,
裁剪
……(后略,完整文稿见视频页字幕)
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七、课堂练习(AI 生成)
1. 在本文语境中,单词 repertoire 原指演员能演出的整套剧目,此处引申为以下哪项含义?
A. 一批衣物或库存
B. 戏剧表演的规则
C. 官员的礼仪服饰
D. 玉佩的声响节奏
答案:A · 材料明确指出 repertoire 在此处引申为“一批衣物/库存”。
2. 板书中的 Parallel Structure 句型“If A gave..., B gave...”主要用于强调宋元两代在戏剧发展上的什么关系?
A. 宋代完全取代了元代
B. 元代完全继承了宋代
C. 两代对戏剧发展的不同贡献
D. 戏剧规则与角色确立的混淆
答案:C · 平行结构在此处用于对比强调宋元两代对戏剧发展的不同贡献。
3. 板书中的 Participle Phrase “refined to meet...” 属于什么语法结构?
A. 现在分词作定语
B. 过去分词作状语
C. 不定式作宾语
D. 动名词作主语
答案:B · 材料明确标注 refined to meet... 为过去分词作状语,表示服饰经过打磨以满足舞台需求。
4. 单词 codification 在材料中指的是将习俗或标准整理成什么?
A. 零散的艺术形式
B. 系统、明确的规则体系
C. 道教高士的外衣
D. 官员行走的节制步伐
答案:B · codification 意为法典化或规制化,指将原本零散的事物整理成有序的体系。
5. 在描述宋元戏曲时,theatrical costume 特指以下哪种服装?
A. 古代贵族日常佩戴的玉佩
B. 表演专用的戏剧服饰
C. 道教高士所穿的宽大外衣
D. 保护胸部心脏的铠甲
答案:B · 材料指出 theatrical costume 在此特指表演用的服装,而非日常着装。