第二章 节庆之美 —— 花朝节:百花生辰与汉服的历史及当代实践(下)
课程:节庆之美(ENGL026)主讲:张慧琴教授词汇 16 条句型 0 条要点 0 条
二、核心词汇(16)
| 词条 | 释义 / 讲解 |
|---|
| representative | adj. 有代表性的。语境:representative customs(具有代表性的民俗活动)。 |
| aesthetics | n. 美学,审美情趣。语境:spring aesthetics(春日审美,指对春天之美的感知与表达)。 |
| short jacket | 短襦。唐代平民女性常穿的短上衣,搭配长裤,方便劳作。 |
| ruqun | 襦裙。唐代贵族女性服饰,此处特指窄袖款式,舍弃繁复装饰。 |
| garment hues | 服饰色彩。文中指衣服颜色与花草林木相呼应,达成视觉和谐。 |
| head ornament | 头饰。指花朝节中男女佩戴鲜花或绢花作为节日装饰的习俗。 |
| coiffure | 发型/发髻。宫廷女子将牡丹固定在发髻上的精致造型。 |
| pearl tassels | 珍珠流苏。搭配在牡丹发饰旁的装饰,体现宫廷簪花的奢华。 |
| imperial flowers | 宫花。宋代新科进士在宴会上获赐的花朵,象征功名荣耀。 |
| re-enact | 重现/还原。指现代活动中重现“十二花神”等传统IP场景。 |
| revitalise | v. 使复兴,使恢复生气。语境:revitalised the dormant festival(让沉寂的节日重新焕发生机)。 |
| dormant | adj. 休眠的,沉寂的。语境:dormant festival(沉寂已久的节日,指不再流行或庆祝的节日)。 |
| positive cycle | n. 良性循环。语境:forming a positive cultural cycle(形成良性文化循环,指相互促进)。 |
| symbol | n. 象征,符号。语境:symbols for telling Chinese stories(讲述中国故事的文化符号/载体)。 |
| living heritage | n. 活态遗产。语境:living heritage(指仍在生活中实践、传承的非物质文化遗产)。 |
| subjectivity | n. 主体性。语境:cultural subjectivity(文化主体性,指文化保持独立身份和核心价值的特性)。 |
四、课堂讨论题
1. 花朝节时,贵族和平民女子的汉服在款式上有啥区别?
2. 曲江采菜时,为什么大家偏爱穿浅绿、淡粉等柔和颜色?
3. 宋代男子簪花和唐代女子簪花,在象征意义上有什么不同?
4. 如果我去景区穿汉服参加花朝节,怎么搭配最符合古人审美?
5. 现代汉服活动中的簪花习俗,和古代相比有哪些创新或保留?
五、Discussion Questions (English)
1. What’s the difference in style between Hanfu worn by noblewomen and commoners during the Flower Festival?
2. Why do people prefer soft colors like light green and pale pink when picking vegetables at Qujiang?
3. How does the symbolism of men wearing flowers in their hair in the Song Dynasty differ from that of women in the Tang Dynasty?
4. If I wear Hanfu to a Flower Festival at a tourist spot, how should I style it to match ancient aesthetics?
5. What innovations or traditions have been kept in the flower-wearing custom at modern Hanfu events compared to ancient times?
六、听力 / 讲稿全文
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2.2 Huazhao Festival Customs & Costumes,
2.2 花朝节习俗与服饰②挑菜衬服饰
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② Vegetable Picking and Matching Attire
2.2 花朝节习俗与服饰②挑菜衬服饰
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Next let's look at the Qujiang vegetable
讲完游春扑蝶,
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picking custom from
我们来看唐代流行的曲江拾菜,
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Tang dynasty records.
也就是后世所说的挑菜习俗。
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According to Records
据《秦中岁时记》记载,
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of Seasonal Observances in Central Qin,
二月二长安百姓前往曲江池采摘野菜。
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locals gathered at Qujiang Pool
二月二长安百姓前往曲江池采摘野菜。
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to gather wild vegetables
二月二长安百姓前往曲江池采摘野菜。
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on the second day of the second lunar
二月二长安百姓前往曲江池采摘野菜。
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month.
二月二长安百姓前往曲江池采摘野菜。
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In Luoyang, this day was also observed
在洛阳,二月二同时被视作花朝,
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as the Flower God Festival,
挑菜也融入花朝的春日活动之中。
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so vegetable picking became part
挑菜也融入花朝的春日活动之中。
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of festival recreations.
挑菜也融入花朝的春日活动之中。
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Since bending work was required,
挑菜需要弯腰劳作,
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practical, lightweight clothes were
服饰讲究轻便利落。
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preferred.
服饰讲究轻便利落。
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Common er women wore short jackets paired
平民女性常穿短襦配长裤,
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with trousers.
方便行动;
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Noblewomen chose narrow sleeve ruqun
贵族女子选用窄袖襦裙,
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without heavy decorations.
舍弃过度繁复的装饰。
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Soft spring colours such as light green
色彩上,人们偏爱浅绿、
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and pale pink were favoured.
淡粉这类柔和的春日色调。
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Garment hues echoed plants and blossoms,
服饰色彩与花草林木彼此呼应,
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creating visual harmony between human
达成人和自然景致的视觉和谐,
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figures and nature, a key ancient
这正是古人十分看重的穿搭审美。
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aesthetic principle.
2.3 花朝节习俗与服饰③簪花头饰的
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2.3 Huazhao Festival Customs & Costumes,
审美仪式
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③ Aesthetic Ritual
审美仪式
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of Flower Pinning Headdresses
审美仪式
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Flower pinning formed a ritual head
审美仪式
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ornament custom for the Flower God
审美仪式
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Festival, practised by both women and men.
审美仪式
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Common folk inserted fresh
簪花是花朝节充满仪式感的头饰习俗,
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or silk artificial flowers
不分阶层,男性同样有簪花传统。
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into their hair.
不分阶层,男性同样有簪花传统。
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Some local records
民间百姓会将鲜花、
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note people wore herb
绢制假花插在发髻上,部分地方志记载,
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leaves for blessings.
当地男女还有佩戴蓬叶祈福的风俗。
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Court nobles
宫廷贵族的簪花更加华美,
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pursued
唐代百花宴上,
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greater luxury.
宫女会用银夹把牡丹固定在发间,
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greater luxury.
搭配珍珠流苏。
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At Tang dynasty flower banquets,
搭配珍珠流苏。
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court ladies fixed peonies into coiffures
搭配珍珠流苏。
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with silver clips, paired
搭配珍珠流苏。
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with pearl tassels.
搭配珍珠流苏。
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Male flower wearing flourished
男子簪花,在宋代发展为风尚:
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in the Song
新科进士参加闻喜宴时会获赐宫花,
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Dynasty.
以此象征功名荣耀。
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New graduated jin shi scholars received
小小的头饰不只是装饰,
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imperial flowers at banquets as symbols
更承载节日礼仪。
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of honour.
更承载节日礼仪。
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These small ornaments
花朝节通过簪花,
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were more than
把春日生机穿戴在身上,完成民俗、
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decoration.
审美与服饰三者的融合。
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They merged folk rituals,
审美与服饰三者的融合。
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aesthetics and costume culture by bringing
审美与服饰三者的融合。
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spring vitality onto people’s heads.
审美与服饰三者的融合。
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Folk performers playing flower gods also
民间扮演花神时,
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wore costumes matching corresponding
也会选用匹配花神属性的色彩服饰。
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floral themes.
2.4 现代汉服活动案例①云台山&庐州意库
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2.4 Modern Day Hanfu Event Cases
2.4 现代汉服活动案例①云台山&庐州意库
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① Yuntai Mountain & Luzhou Yiku
2.4 现代汉服活动案例①云台山&庐州意库
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Turning to modern times,
当我们把视线转向当代,
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many scenic spots hold large scale Hanfu
很多景区依托花朝节,
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events for the Flower God Festival.
打造大型汉服文化活动。
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At Yuntai Mountain in Henan,
河南云台山花朝节,
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immersive Chinese style experiences are
依托山水景区做沉浸式国风体验。
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provided.
依托山水景区做沉浸式国风体验。
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Large scale Hanfu parades re enact
活动内容十分丰富,
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traditional IPs such
举办大规模汉服巡游,还原十二花神、
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as the Twelve
竹林七贤等传统IP,
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Flower Gods
吸引上万游客参与"画中游"。
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……(后略,完整文稿见视频页字幕)
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